Nusrat Fateh Ali Khan

Nusrat Fateh Ali Khan


Early life and career

Nusrat Fateh Ali Khan was born on October 13, 1948 in the city of Faisalabad, Pakistan. He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and Qawwal. Khan's family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Lyallpur. In 1979, Khan married his first cousin, Naheed (the daughter of Fateh Ali Khan's brother, Salamat Ali Khan); they had one daughter, Nida.

Khan began by learning to play tabla alongside his father before progressing to learn Raag Vidya and Bol Bandish. He then went on to learn to sing within the classical framework of khayal. Khan's training with his father was cut short when his father died in 1964, leaving Khan's paternal uncles, Mubarak Ali Khan and Salamat Ali Khan, to complete his training.

His first performance was at a traditional graveside ceremony for his father, known as chehlum, which took place forty days after his father's death.

In 1971, after the death of Mubarak Ali Khan, Nusrat became the official leader of the family Qawwali party and the party became known as Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party.

Khan's first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organised by Radio Pakistan, known as Jashn-e-Baharan. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Brajbhasha and Hindi. His first major hit in Pakistan was the song Haq Ali Ali, which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Nusrat's sargam improvisations.

Early in his career, Khan was signed up by Oriental Star Agencies [OSA] of Birmingham UK to their Star Cassette Label. OSA sponsored regular concert tours by Nusrat to the U.K. from the early '80s onwards, and released much of this live material on cassette, CD, videotape and DVD.




Later career

Khan teamed with Peter Gabriel on the soundtrack to The Last Temptation of Christ in 1985, with Canadian musician Michael Brook on the albums Mustt Mustt (1990) and Night Song (1996),[3] and with Pearl Jam lead singer Eddie Vedder in 1995 on two songs for the soundtrack to Dead Man Walking. He also contributed to the soundtrack of Natural Born Killers.

Peter Gabriel's Real World label later released five albums of Nusrat's traditional Qawwali, together with some of his experimental work which included the albums Mustt Mustt and Star Rise. Nusrat provided vocals for The Prayer Cycle, which was put together by Jonathan Elias, but died before the vocals could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. Nusrat also collabrated with Michael Brook to create music for the song 'Sweet Pain' used in the movie Any Given Sunday. He also performed traditional Qawwali before international audiences at several WOMAD world music festivals and the single Dam Mast Qalandar was remixed by electronic trip hop group Massive Attack in 1998.

His album Intoxicated Spirit was nominated for a Grammy award in 1997 for best traditional folk album.

Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he recorded a song each for two Bollywood films, Aur Pyaar Ho Gaya (in which he also sang the song onscreen) and Kachche Dhaage. He sang the title song of the film, Dhadkan. He also sang Saya bhi saath jab chhod jaye for Sunny Deol's movie, Dillagi. The song was released only in 1999, two years after Nusrat's death.

Khan contributed the song "Gurus of Peace" to the album Vande Mataram, composed by A.R. Rahman, and released to celebrate the 50th anniversary of India's independence. Rahman, who was a big fan of Khan could not do further songs with him. As a tribute, Rahman later released an album titled Gurus of Peace, which featured "Allah Hoo" by Nusrat. Rahman's 2007 song "Tere Bina" was also done as a tribute to Nusrat.

After his death, the song "Solemn Prayer", on which Nusrat provided vocals, was used on the Peter Gabriel song "Signal to Noise" (on the album Up), and on the soundtrack to the Martin Scorsese film Gangs of New York.

According to the Guinness Book of World Records, Nusrat Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums as of 2001.


Death

Khan was taken ill with kidney and liver failure on August 11, 1997 in London, England while on the way to Los Angeles in order to receive a kidney transplant. He died of a sudden cardiac arrest at Cromwell Hospital, London, on Saturday, August 16, 1997, aged 48. His body was returned to Faisalabad, Pakistan and his funeral was attended by the public.

Composition of Nusrat's qawwali party

The composition of Nusrat's ensemble — called a party (or Humnawa in Urdu) — changed over its 26 years. Listed below is a snapshot of the party, circa 1983:

1. Mujahid Mubarak Ali Khan: Nusrat's first cousin, vocals
2. Farrukh Fateh Ali Khan: Nusrat's brother, vocals and lead harmonium
3. Rehmat Ali: vocals and second harmonium
4. Maqsood Hussain: vocals
5. Rahat Nusrat Fateh Ali Khan: Nusrat's nephew & pupil, vocals
6. Dildar Hussain: percussion
7. Majawar Abbas: mandolin and guitar/chorus, handclapping
8. Mohammed Iqbal Naqvi: secretary of the party, chorus, handclapping
9. Asad Ali: chorus, handclapping. Nusrat's cousin
10. Ghulam Farid: chorus, handclapping
11. Kaukab Ali: chorus, handclapping

The one significant member of the party who does not appear on this list is Atta Fareed. For many years, he alternated with Rehmat Ali on vocals and second harmonium. He is easily identifiable in videos since he plays the harmonium left-handed.

This snapshot is non-representative in one respect: harmoniums were usually the only instruments. Only rarely were instruments like mandolin or guitar used.

Legacy and influence

Nusrat Fateh Ali Khan is widely considered to be the most important qawwal in history. In 2005, Nusrat was awarded the "Legends" award at the UK Asian Music Awards. TIME magazine's issue of November 6, 2006, "60 Years of Asian Heroes", lists him as one of the top 12 Artists and Thinkers in the last 60 years. Alexandra A. Seno of Asiaweek wrote:

Nusrat Fateh Ali Khan's voice was otherworldly. For 25 years, his mystical songs transfixed millions. It was not long enough .... He performed qawali, which means wise or philosophical utterance, as nobody else of his generation did. His vocal range, talent for improvisation and sheer intensity were unsurpassed.

Jeff Buckley cited Nusrat as a major influence, saying of him "He's my Elvis", and performing the first few minutes of Nusrat's hit "Yeh Jo Halka Halka Suroor Hai" (including vocals) at live concerts. Many other artists have also cited Nusrat as an influence, such as A.R. Rahman,Sheila Chandra, and Alim Qasimov.

Films
Documentaries

* Nusrat Fateh Ali Khan: le dernier prophète (1996). Directed by Jérôme de Missolz.
* Nusrat has Left the Building... But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Nusrat's early career.)
* A Voice from Heaven (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an excellent introduction to Nusrat's life and work.)
* Samandar Main Samandar (2007). A documentary aired on Geo TV detailing Nusrat Fateh Ali Khan's career.
* The King of Qawalli (2009). A short film aired on Dawn News about Nusrat's life and career.

Concert films

* The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Nusrat Fateh Ali Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu`inuddin Chishti. Filmed in Tokyo, Japan, September 20, 1987, for Asian Traditional Performing Arts).
* Nusrat! Live at Meany (1998). Produced by the University of Washington. (87-minute recording of a January 23, 1993 concert at Meany Hall, University of Washington in Seattle, during Nusrat's residency at the Ethnomusicology Program there.)
* Live in Concert in the U.K. (DVD, vols. 1-17) [OSA]; recorded between 1983 and 1993; first thirteen listed below:
o Live in Concert in UK (DVD vol. 1)
o Live in Concert (DVD vol. 2)
o Live in Concert (DVD vol. 3)
o Live in UK (DVD vol. 4)
o Live in UK (DVD vol. 5)
o Live in Concert (DVD vol. 6)
o Live in UK (DVD vol. 7)
o Live in UK (DVD vol. 8)
o Live in UK (DVD vol. 9)
o Live in UK (DVD vol. 10)
o Live in UK (DVD vol. 11)
o Digbeth Birmingham 12 November 1983 (DVD vol. 12)
o Digbeth 30 October 1983 (DVD vol. 13)
* Akhiyan Udeek Diyan (DVD) [Nupur Audio]
* Je Tun Rab Nu Manauna (DVD) [Nupur Audio]
* Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Nupur Audio]
* Rang-e-Nusrat (DVD, vols. 1-11) [Music Today]; recorded between 1983 and 1993 (same material as the OSA DVDs)
* VHS videotapes, vols. 1-21 [OSA]; recorded between 1983 and 1993 (same material as the OSA DVDs)
o Luxor Cinema Birmingham (VHS vol. 1, 1979)
o Digbeth Birmingham (VHS vol. 2, 1983)
o St. Francis Hall Birmingham (VHS vol. 3, 1983)
o Royal Oak Birmingham (VHS vol. 4, 1983)
o Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5)
o Private Mehfil (VHS vol. 6, 1983)
o Natraj Cinema Leicester (VHS vol. 7, 1983)
o Live In Southall (VHS vol. 8)
o Live In Bradford (VHS vol. 9, 1983)
o Live In Birmingham (VHS vol. 10, 1985)
o Allah Ditta Hall (VHS vol. 11, 1985)
o Harrow Leisure Centre (VHS vol. 12)
o University Of Aston (VHS vol. 13, 1988)
o Aston University (VHS vol. 14, 1988)
o WOMAD Festival Bracknell (VHS vol. 15, 1988)
o Live In Paris (VHS vol. 16, 1988)
o Poplar Civic Centre London (VHS vol. 17)
o Imperial Hotel Birmingham (VHS vol. 18, 1985)
o Slough Gurdawara (SHABADS) (VHS vol. 19)
o Imran Khan Cancer Appeal (VHS vol. 20)
o Town Hall Birmingham (VHS vol. 21, 1993)