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Showing posts with label indian classical music. Show all posts
Showing posts with label indian classical music. Show all posts

Saturday, February 4, 2012

Kadri Gopalnath

Kadri Gopalnath


Dr. Kadri Gopalnath (Tulu: ಕದ್ರಿ ಗೋಪಾಲನಾಥ್) (born 11 December 1949) is an Indian saxophonist and one of the pioneers of Carnatic music on the saxophone.


Early life



Kadri Gopalnath was born in 1950 in the city of Mangalore to Thaniappa and Gangamma.He acquired a taste for music from his father Thaniappa, a nadaswaram vidwan. As a child, Gopalnath once saw the saxophone being played in the Mysore palace band set. Upon hearing the vibrant tone of the saxophone, Gopalnath decided to master it. It took him nearly 20 years to conquer the complex western wind instrument, and he was eventually crowned as the "Saxophone Chakravarthy".


Career



Gopalnath had to make certain modifications to the conventional alto saxophone to play Carnatic music. So successful has this adaptation been that the great musician Semmangudi Srinivasa Iyer, the doyen of Carnatic music, has acknowledged Kadri Gopalnath as a true Carnatic music genius.
Gopalnath learned to play the instrument under Gopalkrishna Iyer of Kalaniketana, Mangalore. In Madras, Gopalnath came in contact with the mridangist T.V. Gopalkrishnan, who identified the youngster's potential and tutored him.
His maiden performance was for the Chembai Memorial Trust. The 1980 Bombay Jazz Festival was a turning point for Gopalnath. John Handy, a jazz musician from California was present at the festival. Hearing Gopalnath play, Handy asked if he could go on stage and perform alongside with him. So well did the two mesh, Handy in the jazz style and Gopalnath in the Carnatic style, that it became an instant hit with the audience. Gopalnath has participated in the Jazz Festival in Prague, the Berlin Jazz Festival, the International Cervantino Festival in Mexico, the Music Hall Festival in Paris, the BBC Promenade concert in 1994 at London, and has toured all over the world.
He has cut many albums and has recorded a number of cassettes and CDs. Together with jazz flautist James Newton, he recorded Southern Brothers. His production called 'East-West' is an audio-video presentation that, as the title suggests, is a fusion of Western and Indian music. This album took 6 months to produce and has compositions from Saint Tyagaraja, Beethoven and the likes.
Film director K. Balachander used Gopalnath's services in his Tamil film Duet. The film had music composed by A.R. Rahman and all the songs had saxophonic instrumentation by Gopalnath, mostly in raga Kalyana Vasantam. He once said about this album: : "I played some 30 ragas for Rahman. He wasn't satisfied. Finally I played Kalyana Vasantam, and he said, "Thats it!". After that movie I became known. I was in all the papers. It became difficult to travel in buses and trains. Of course I enjoyed the mass appeal."
In 2005, Gopalnath began a collaboration with American saxophonist and composer Rudresh Mahanthappa, which resulted in the 2008 album Kinsmen (Pi Recordings) and supporting US tour.

Awards, titles and tributes



Titles and honors have come his way, the most cherished being the Asthana Vidwan of Sri Kanchi Kamakoti Pettam, Sri Sringeri Sharadha Peetam, Sri Ahobila Mutt and Sri Pillayapatti Temple. He was awarded the Padma Shri in 2004.
Gopalnath has the distinction of being the first Carnatic musician to be invited in the BBC Promenade concert in 1994, in the Royal Albert Hall at London. The Asian Music Circuit, U.K, sponsored his recital.
Among his other distinctions are: Saxophone Charkravarthy, Saxophone Samrat, Ganakala Shree, Nadapasana Brahma, Sunada Prakashika, Nada Kalarathna, Nada Kalanidhi, Sangeetha Vadya Rathna, Karnataka Kalashree in 1996, Vocational Excellency Award from the Rotary of Madras, Tamil Nadu State Award "Kalaimamani" and Karnataka Rajyotsava Award in 1998.
He received an honorary doctorate from Bangalore University in 2004.

The 2008 album Blue Rhizome by the New Quartet features a tribute to the saxophonist called "Gopalnath" (composed by Karl E. H. Seigfried).


Website : http://www.kadrigopalnath.com


Endaro Mahanubavulu Kadari Gopalnath Carnatic Fusion



Wednesday, September 7, 2011

Shrinivas Khale

Shrinivas Khale

Personal Information

Birth name Shrinivas Vinayak Khale
Born 30 April 1926
Mumbai, Maharashtra, India
Died 2 September 2011 (aged 85)
Thane, Maharashtra, India

Shrinivas Vinayak Khale (Marathi: श्रीनिवास खळे 30 April 1926 – 2 September 2011), also known as Khale Kaka, was an Indian composer/music director from Maharashtra, India. He was one of the most respected artists in the Marathi music industry for over six decades. He was the recipient of Padma Bhushan award in 2010


Milestones

Khale Kaka's compositions include numerous songs in five languages – Marathi, Hindi, Bengali, Gujarati and Sanskrit. He recorded 141 poems and composed music for six Marathi films (Yanda Kartavya Ahe-1956, Bolki Bahauli-1961, Palsala Pane Teen-year not known, Jivhala-1968, Porki-1970, and Sobati-1971 ; A film Laxmi Pujan-1952 was never released). He also provided music to theatrical plays Paanigrahan, Vidushak and Devache paay during his stint in Akashwani, Mumbai.

Kaka worked with many renowed artists in industry during his journey; to name a few - Lata Mangeshkar, Asha Bhosale, Usha Mangeshkar, Suman Kalyanpur, Sulochna Chauhan, Shobha Gurtu, Kavita Krishnamurthy, Veena Shahastrabudhe, Devki Pandit, Madhurani, Pt Bhimsen Joshi, Pt Vasantrao Deshpande, Pt Ulhas Kashalkar, Sadhana Sargam, Dr Balamurli Krishnan, Talat Mahmood , Hridaynath Mangeshkar, Manna Dey, Bhupender Singh, Mahendra Kapoor, Suresh Wadkar, Arun Date and more. He had also worked with his daughters and other young artists for balgeete (songs for kids) in his stint.
Kaka was also the only musician to bring along two Bharat Ratna recipient singers, Smt Lata Mangeshkar and Pandit Bhimsen Joshi for a Hindi bhajan (devotional song) album Ram Shyam Gun Gan. His last album "Nath Maza Mi Nathancha" was released in September 2009 which includes Abhangas and Bhaktigeetas by Saint Krishnadas. [4]


Family

Khale's family origins are from a village called Parali in Kokan-Raigad zilla, Maharashtra, India. His father was Vinayak Kashinath Khale, and mother was Laxmi Vinayak Khale. His elder brother, Kashinath Khale, influenced his choice of a career in music.


Journey

His family moved to Baroda, which is where Khale began his music lessons. He began his journey as a music director in All India Radio (AIR) in 1945. He went on his first Gujarati recording of Talat Mahmood in Gramaphone Company India Limited in 1950.
He had left home to pursue his career in music from Baroda. In 1970 Shrinivas Khale - Ek Sankalan by Mauj Publishers was released for completing 25 years as a successful music director. He was profiled in Who's Who London (1978), Voice of America (1988), Radio Sydney, Australia (2000). In 2009 Datta Marulkar wrote a book Antaryami Surr Gavasala about Khale.


Honors

(2011) Hridayesh Arts by Shri. Sushil Kumar Shinde
(2010) Shankaracharya, Sawan Kumar Tak (director), Governor of Maharashtra K. Shankarnarayanan at Raj Bhavan, Mumbai
(2010) BK Bhagat Pratishthan members of Thane
(2008) Mr. Kumar Ketkar, chief editor of Loksatta (marathi newspaper) and Hridayesh Arts
(2006) Dainik Lokmat by Mr Vilasrao Deshmukh
(2005) Ram Gabale (marathi film director)
(2005) Hridayesh Arts by Bharat Ratna Gansamradni Lata Mangeshkar
(2000) Atharva Pratishthan by Shiv Sena Pramukh Shri Balasaheb Thakrey
(1995) Suvarna Tabakadi / Golden Disc by Shri Naushad Ali through Hridayesh Arts
(1993) Shrimati Lata Mangeshkar Puraskar from Governor of Maharashtra P.C.Alexander at Raj Bhavan, Mumbai
(1991) Swaryatri Samaj Gaurav by Guruprathistan Mumbai on Doordarshan



Awards

(2010) Padma Bhushan Awards (2010–2019)
(2010) Big Marathi Music Award for "Best Music Director"
(2009) Sarva Shreshtha Puraskar
(2008) Swarna Ratna Puraskar and Music Director Datta Davjekar Puraskar
(2007) Sangeet Ratna Puraskar
(2007) Worldspace honour for outstanding contribution to marathi music as Composer
(2006) Jeevan Gaurav Puraskar
(2003) Dadasaheb Phalke Trust Award
(2003) Samanvay Pratishthan Puraskar, Sudhir Phadke Puraskar, Bal Gandharva Puraskar
(2000) Mahalaxmi Puraskar
(1995) Golden Disc for completing 50 years in field of music
(1993) Lata Mangeshkar Award
(1970) Sur Sringar Puraskar

Nakshatranche Dene Ep. 19 Part - 7





Tuesday, March 15, 2011

‘Melodies in Indian music are not too complex’


Legendary saxophonist Kenny G, who’s teamed up with santoor player Rahul Sharma, tells Roshni K Olivera that he’s looking forward to playing in India



Kenny G




Renowned saxophonist Kenny G loves India and he is looking forward to coming here again. At the moment he’s very happy having teamed up with well-known santoor player Rahul Sharma for his new album ‘Namaste India’, brought out by Times Music. The album also features a Kenny G and Rahul Sharma style rendition of a soundtrack from Big B’s film Silsila, with Amitabh Bachchan’s voiceover from the original recording. Excerpts of an email interview with Kenny...
Tell us about your collaboration with santoor player Rahul Sharma...what got you interested in this project?
I met Rahul when I performed in India and we got along right away. He sent me, via email, some of his music and said he wanted me to play on some of the songs. I loved his sound and thought it would really be fun to join him and see where the music would take us. I’m very happy with the results.
Are you aware of how popular the Silsila song is in India and about its lyrics?
I am aware because Rahul has told me. I loved the arrangement that Rahul put together.
Has Indian cinema (Bollywood as it's called) ever caught your fancy?
Of course! I think it will be fun to do some music for Indian films someday!
And what do you think about Indian music?
Generally I like Indian music because the melodies are usually not too complex which is how I like music and that’s the way I write music. So I’m naturally attracted to this sound.
Any memories you have of your concert and stay in India in 2008?
Yes... the people. So friendly and helpful. I was really impressed with all the wonderful people I met, including Rahul of course.
Will you be performing here anytime soon?
There are no plans at the moment, but I’m hoping very much that I will be able to come back to India as soon as possible. Perhaps with this collaboration with Rahul, we can perform these songs together live in India.
Rahul on Kenny
“I have a lot of respect for Kenny. The world knows him as a saxophone player. I have seen this amazing ability in him to improvise. You give him a melody and he works on it and adds to it. I have collaborated with international artistes earlier, but this collaboration is very special for me. I have composed and played in this album. Having Kenny play seven songs was very satisfying for me. We hope to take this association further now by performing together in India. We would like to have concerts in the near future.”

Rahul Sharma

Wednesday, December 22, 2010

Pandit Sanjeev Abhyankar

Pandit Sanjeev  Abhyankar



Pandit Sanjeev Abhyankar, the maestro from the Mewati Gharana, is an artist of international acclaim in the field of Hindustani Classical Music. An extremely popular artist, he is the inspiration for the young generation. With his magical singing, he has attracted the young generation towards the Indian Classical music. In a career spanning more than 25 years, he has assumed the mantle of a role model of dedication, hard work, patience and perseverance.

Blessed with an exceptionally sweet voice, his vocation in life was clear right from the age of 3. Born in 1969, Sanjeev started learning Hindustani Classical Music, from the tender age of eight. He has been groomed by his mother Smt. Shobha Abhyankar, Pandit Pimpalkhare ji and Padmavibhushan Pandit Jasraj ji. Though his aim had been to pursue a career in music since childhood, he has acquired a bachelor's Degree in Commerce.

Sanjeevji rendered his first stage performance in Mumbai , at the age of 11. Since then, he has traveled extensively all over the country, performing in all the prestigious conferences and art circles, several times. He has spread the fragrance of Indian Classical music in U.S.A. , Canada , Australia , Europe, Africa and the Middle East.

He has received many awards which include the President's award from the All India Radio in 1990, the prestigious F. I. E. Foundation National Award 1996, The coveted National Award 1998 as the best male playback singer , for the Hindi film 'Godmother', the title 'Sur Ratna', Rotary Vocational Excellence Award 2002 and Pandit Jasraj Gaurav Puraskar, to name a few.

He has several cassettes and compact discs by reputed music companies like HMV, Music Today, Sony Music, Times Music, Navaras Records U.K., Neelam Audio Videos U.S.A., Sona Rupa U.K., BMG Cressendo, Ninaad Music, Fountain Music & Alurkar Music , which have been highly acclaimed all over the world .

He has also given playback for films such as ' Maachis', 'Nidaan', 'Sanshodhan' , 'Dil Pe Mat Le Yaar' and 'Banaras'.

Sanjeevji's award winning performance in 'Godmother' as also his impassioned rendition of Marathi Abhangs and Hindi Bhajans reflect his easy grace and versatility.

By adding his own classical compositions, he has contributed to the already existing vast repertoire of Mewati Gharana compositions (Bandishes).

Besides performing in all the prestigious art circles throughout the country, he has performed in well known conferences such as Sawai Gandharva Sangeet Samaroh - Pune, Baba Harvallabh Samaroh - Jalandhar, ITC Sammelan and Doverlen Conference - Calcutta, Vishnu Digambar Paluskar Jayanti Samaroh, International Melody Foundation's Ustad Amir Khan Samaroh and Gunidas Festival - New Delhi, Swami Haridas Sammelan - Vrindavan, Pandit Motiram Sangeet Samaroh - Hyderabad, Lucknow Mahotsav, Ganga Mahotsav and Budhva Mahotsav, the Maha Kumbh Mela - Uttar Pradesh, Ustad Allauddin Khan Samaroh and Ustad Amir Khan Samaroh - Madhya Pradesh, Saptak Conference - Ahmedabad, Master Dinanath Sangeet Mahotsav - Goa, The Indian Fine Arts - Madras, Hindustani Kalakar Mandali Conference - Bangalore, Kalidas Samaroh - Nagpur , the prestigious Radio Sangeet Sammelan, Spirit of Unity Concerts for National Integration, and the Concerts organised by Sangeet Natak Academy and ICCR.

To know more about Sanjeev Abhyankar


Shaam murari banwari - Sanjeev Abhyankar

Monday, December 20, 2010

Bade Ghulam Ali Khan

Bade Ghulam Ali Khan



Bade Ghulam Ali Khan

Ustad Bade Ghulam Ali Khan (Devanagari: बड़े ग़ुलाम अली ख़ान, Shahmukhi: بڑے غلام علی خان, Urdu: بڑے غلام علی خان) (c. 1902 – 25 April 1968) was an Indian classical singer. He belonged to the Patiala Gharana of Hindustani classical music.,[1] and is considered to be an important representative of the Hindustani music tradition in the early and mid 20th century.


Early life and background

Bade Ghulam Ali was born in Kasur, Punjab, British India. His father was a famous singer, Ali Baksh Khan, in a West Punjabi family of musical heritage.

At the age of seven, he learned sarangi and vocal from his paternal uncle Kale Khan, who was a singer, and after his death he trained under his father.


Singing career

Khan started his career by playing sarangi. He became popular after his debut concert in Kolkata.

Khan amalgamated the best of four traditions: his own Patiala-Kasur style, the Behram Khani elements of Dhrupad, the gyrations of Jaipur, and the behlavas (embellishments) of Gwalior. His voice had a wide range, spanning three octaves, effortless production, sweetness, flexibility and ease of movement in all tempi.

After the partition of India in 1947, Khan returned to his home in Pakistan, but returned to India later to permanently reside there. He did not approve of the partition, stating: "If in every home one child was taught Hindustani classical music this country would never have been partitioned." In 1957, he acquired Indian citizenship and lived at various times in Lahore, Bombay, Calcutta, and Hyderabad.

He was reluctant to sing for films, but sang two songs based on ragas Sohni and Rageshree for the 1960 film Mughal-e-Azam, in which his voice was represented as Tansen's by the music director Naushad. To dissuade Naushad, he demanded a high price, reportedly Rs. 25,000/- per song, when the rate for popular playback singers such as Lata Mangeshkar and Mohammed Rafi was below Rs. 500/- per song.

Khan was awarded the Sangeet Natak Akademi Award and the Padma Bhushan in 1962.

Khan was married to Ali Jiwai, who died in 1932. Khan's son, Munawar Ali Khan (1930–1989), was a classical singer. His grandson, Raza Ali Khan, is also a Hindustani classical singer.

Khan died in Hyderabad at Basheerbagh Palace in 1968, after a prolonged illness which left him partially paralyzed in his last years. He continued to sing and perform in public with the support of his son Munawar until his death.


The legacy

Today, the Bade Ghulam Ali Khan Yaadgar Sabha, founded by his disciple Malti Gilani, keeps his music and memory alive. It aims to promote Hindustani classical music and organises many concerts to this end. Its primary aim, however, is to provide medical aid to ailing musicians. The Sabha organises a Sabrang Utsav every year in the memory of the maestro. Under his pen name, Sabrang, Khan left numerous compositions.


Discography

* Mehfil - Ustad Bade Ghulam Ali Khan - Times Music
* Golden Milestones - Ustad Bade Ghulam Ali Khan
* Classical Vocal - Ustad Bade Ghulam Ali Khan
* Sab Rang


Ustad Bade Ghulam Ali Khan, Aye Na Baalam & Yaad Piya Ki Aye

Devaki Pandit

Devaki Pandit
Devaki Pandit


Devaki Pandit (Marathi: देवकी पंडित, Hindi: देवकी पंडित) is a playback singer from Maharashtra, India. She is also a trained classical singer.

Besides Marathi, she has also sung songs in Hindi.

Career



Devaki was introduced to music at the age of two, and is a third generation musician from the Pandit household. She received her initial music training from her mother Usha Pandit.

She gave her to her first stage performance at age nine. In 1977, at the age of twelve she recorded her first song - a balgeet (translation: a song for children) for Polydor Records.

In 1986, she recorded her first playback song for the Ardhangi which went on to win her the Maharashtra State Award for "Best Female Playback Singer".

Gurus

After initial guidance by her mother, Devaki trained under Vasantrao Kulkarni for 10 years, Jitendra Abhisheki for twelve years and from Kishori Amonkarfor four years. For the last eight years, Devaki has been receiving instruction from Babanrao Haldankar.



Awards and recognitions

* Kesarbai Kerkar Scholarship - the only person to receive it twice consecutively
* 1986 - Maharashtra State Award for "Best Female Playback Singer" (Film Ardhangi)
* 2001 and 2002 - Alpha Gaurav Puraskar
* 2002 - Maharashtra Government Award for "Best Female Playback Singer"
* 2002 - Mewati Gharana Award
* 2006 - Aditya Birla Kala Kiran Award



[Nakshtranche Dene] Rang Maza Vegla


Thursday, December 9, 2010

Pandit Jasraj

Pandit Jasraj


Early life

Jasraj was born in Hissar, Haryana in an orthodox brahmin family to Pandit Motiramji, a classical exponent. His family is well known for singing in the Mewati Gharana style. Motiramji died when Jasrajji was only four, on the day he was to be appointed as the state musician in the court of the Last Nizam.
Jasraj was initiated into vocal music by his father. He also received training from his elder brother, Pandit Maniramji, and later from Maharaja Jaywant Singhji Waghela. He was also greatly influenced by the voice of the famous ghazal singer, Begum Akhtar, whom he used to listen to, skipping school, at a small hotel that played her songs all day. This inspired him to learn vocal music.
In 1960, when Jasraj went to visit Bade Ghulam Ali Khan in hospital, Khan asked him to become his disciple, but Jasraj declined saying that he could not accept Khan's tutelage since he was already Motiram's disciple.
As a means of livelihood, Maniramji took Jasraj as an accompanying tabla player. However, at the time, just like sarangi players, tabla players were looked down upon as minor artists. At the age of 14, unhappy with his treatment as an accompanying artist, Jasraj left and vowed not to cut his hair until he learned to sing.



Performing career


Jasraj at the Pandit Motiram Pandit Maniram Sangeet Samaroh, Hyderabad, in 2007
Jasraj's vocal range extends across three-and-a-half octaves. His vocalizing is in perfect diction and clarity, a trademark of the Mewati Gharana's style of Khayal. He has also done extensive research in Haveli Sangeet under Baba Shyam Manohar Goswami Maharaj to create numerous innovative bandish (composition).
His greatest contribution to Indian classical music is his conception of a unique and novel jugalbandi, styled on the ancient system of Moorchana, between a male and a female vocalist, each singing in their respective scales and different ragas at the same time. In his honor, this legendary jugalbandi is known as The Jasrangi[3].
Jasraj has many students, and is ensuring the longevity of his genre. Amongst his flag-bearing disciples, Rattan Mohan Sharma, Sanjeev Abhyankar, Suman Ghosh, Tripti Mukherjee, Radharaman Kirtane, Pritam Bhattacharjee, Gargi Siddhant and Kala Ramnath are well-known exponents of the Mewati Gharana. Sadhana Sargam, a well-known Bollywood singer, is one of his disciples.
In memory of his late father, he organises a musical festival every year called the Pandit Motiram Pandit Maniram Sangeet Samaroh in Hyderabad, India. It completed 36 years in 2008. He has graced the Savai Gandharva Music Festival's stage innumerable times over the last forty years, and continues to do so even today; his legendary 1992 presentation of Raag Ahir Bhairav, in the unmistakable Mewati Style, is a favorite among listeners even today. He is also recognized as a master of the Bhairav family of Raags, along with the legendary Raags Darbari Kanada, Miya ki Malhar, and Jog.

Personal life

In 1962 he married Madhura, the daughter of the legendary film director V. Shantaram, who he had first met in 1955 during the filming of Jhanak Jhanak Payal Baje, as Jasraj then employed with AIR as a freelance artist wanted to join V. Shantaram’s production company as a musician. After marriage the couple lived in Kolkata for some time. They have a son, Sarang Dev, and a daughter, Durga Jasraj, a television anchor and presenter. Madhura Jasraj has directed documentaries, children’s plays, apart from directing and producing acclaimed ballets, Geet Govind, Kaan Kahaani and Surdas and the TV series, Faster Phene. She made a film, Sangeet Martand Pandit Jasraj on Pandit Jasraj, in 2009 and in 2010, directed her first Marathi film, Aai Tuzha Aashirwad, in which Lata Mangeshkar and her husband have sung in Marathi

Music composers Jatin-Lalit are his nephews


Awards

Padma Vibhushan, (art-classical music-vocal) in 2000
Sangeet Natak Akademi Award in 1987
Sangeet Kala Ratna
Master Dinanath Mangeshkar Award
Lata Mangeshkar Puraskar
Maharashtra Gaurav Puraskar
Surer Guru
Sangeet Natak Akademi Fellowship


Discography

Raga Symphony (2009)
Baiju Bawra (2008)
Upasana (2007)
Tapasya Vol. 1 (2005)
Darbar (2003)
Maheshwara Mantra (2002)
Soul Food (2005)
Jasraj, Pandit Vol. 2 - Haveli Sangeet
Inspiration (2000)
Ragas Triveni and Multani Live
Ragas Bihada and Gaud Giri Malhar
Worship By Music/Live Stuggart '88
Ornamental Voice
Filmography
Ladki Sahyadri Ki (1966, music by Vasant Desai)
Birbal My Brother (1973, music by Shyam Prabhakar)
1920 (2008, music by Adnan Sami)


Monday, November 29, 2010

Vijay Ghate

Vijay Ghate


Vijay Ghate, originally from Jabalpur, has been recognized by all musicians and dancers alike as the most brilliant and exciting among tabla players of the present generation.

Vijay started learning his art at a very early age of three in Jabalpur.He then moved to Mumbai, and for over twelve years he put himself under the tutelage of Pandit Suresh Talwalkar. Even at the age of 16 he became well-known for his scintillating solo performances.He is one of the few rare tabla players who is adept and comfortable accompanying all the three streams of Vocal, Instrumental and Dance. Quickfire anticipation fulled with a very creative mind and imagination, clarity in playing, dextirity, accuracy are his forte.

He has been accompanying many well known artistes like Ustad Vilayat Khan, Pandit Hariprasad Chaurasia, Ustad Amjad Ali Khan, Pandit Shiv Kumar Sharma, Pandit Birju Maharaj, Pandit Jasraj, Ustad Shahid Parvez, Pandit Vishwa Mohan Bhat and many others all over the world. He has been very well acknowledged for his forays into fusion in world of music with well known artistes from the western world like famous group Jethrotul and great maestros in easy Jazz like George Dukes, Aljereu, Ravi Coltarin, and also frequently working with Egberto Gismonti, Larry Coryell, George Brooks, etc.He has also collaborated with well known Indian musicians in this field like Louis Banks, Shankar Mahadevan, Shivmani etc.

Friday, November 26, 2010

Rakesh Chaurasia

Rakesh Chaurasia


A famous name attached to this musician; young Rakesh is the nephew and child prodigy of flute maestro Pt. Hariprasad Chaurasia. The most accomplished of disciples of his uncle, he shows all the promise to carry the Chaurasia legacy to new heights.
Just like his legendary uncle, Rakesh possesses the right balance of strength and serenity, very critical factors for an exceptional flautist. His dexterous blowing technique coupled with his training of ‘swar’ and ‘tala’ exudes adeptly in his emotions through the hollow piece of bamboo. Rakesh has already globe trotted many times over, enthralling audiences at classical and semi-classical concerts in Japan, Australia, Europe, South Africa and USA. He is also an accomplished musician having recorded with most of the leading stalwarts of the Indian film industry. And just like his illustrious uncle, he has composed music and worked with artists such as the Spanish guitarist Marco Salaun, Indian jazz pianist Louis Banks and percussionist Taufiq Qureshi, amongst others. “VIRA”, one of his most successful and highly acclaimed albums on which he was accompanied by Talvin Singh on the tabla, is released under the Sona Rupa label. Soon after its release, he and Talvin were invited to conclude the 24 hour live music broadcast to a worldwide audience on the BBC radio celebrating Her Majesty the Queen Elizabeth’s Silver Jubilee.

Despite his experimental work, Rakesh has never deviated from his main goal of becoming a full-fledged classical musician. The winner of “Surmani” (Mumbai) in 1998, he has regularly appeared in prominent festivals like St. Xavier’s in Mumbai, ‘Festivals of India’ in Russia, Japan and the USA. His growing maturity and status has brought him invitations to perform solo at major events within India and abroad such as the Festival of Saint-Denis in Paris with Talvin Singh, Leicester International Music Festival in England, ‘Ashirwadh Sangeet Samaroh’ in Varanasi, ‘Anubhuti’ in Mumbai where history was made when, for the first time ever, Rakesh, Pt Hariprasad Chaurasia, Pt Shivkumar Sharma and his son, Rahul, all performed together on stage accompanied by the legendary Ustad Zakir Hussain. Having also appeared in Gwalior, Nagpur, Hyderabad and Bhopal, he has had the distinction of a solo performance in front of a 2000 capacity audience during the prestigious ‘Hindi Sahitya Sammelan’ in the city of Allahabad.

Modest Rakesh is the first to admit that he has a lot to learn, not just from his legendary uncle and maestro, but his peers too. He is indeed, destined to carve a niche for himself in the realm of Indian Classical Music with the simple yet extremely difficult to play bamboo flute, the Bansuri.

Prestigious concerts:
Festival De Saint-Denis, Paris with Talvin & Smadj
Ashirwadh Sangeet Samaroh, Varanasi
Chaturang Sangeet Utsav, Mumbai
ANUBHUTI,, Mumbai - first time ever 5 artist together, Hariprasad Chaurasia, Shiv kumar Sharma, Zakir Hussain, Rakesh Chaurasia & Rahul Sharma
Fine Art Social Welfare Society – New Delhi - Inaugural Sangeet Samaroh, Millennium 2001.
Yeshwantrao Chavan Pratishthan’s Rangswar, Mumbai – “Avani” – a fusion concert in aid of the Gujarat Earthquake victims.
Milap fest – the Indian festival – Liverpool (part of BBC Music Live Program)
Bharatiya Vidya Bhavan, USA – Millennium festival, N.Y.
Vedic Heritage Inc. – Hempstead, USA – Dipawali celebration.
Sangeet Maha Yagna – 50 hour non-stop performance of Indian classical music by over 100 artistes on the occasion of India’s 50 years of independence.
South Central Zone Cultural Centre, Nagpur – Yuva Sangeet Nritya Mahotasav.


Pandit Hariprasad Chaurasia

Pandit Hariprasad Chaurasia


Hariprasad Chaurasia

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Background information
Born 1 July 1938 (age 72)
Origin Allahabad, Uttar Pradesh, India
Genres Hindustani classical music
Occupations Composer, flute player
Instruments bansuri
Website hariprasadchaurasia.com
Pandit Hariprasad Chaurasia (born 1 July 1938) is an Indian classical instrumentalist. He is a player of the bansuri, the North Indian bamboo flute. Chaurasia is a classicist who has made a conscious effort to reach out and expand the audience for classical music.

Early life and background

Hariprasad Chaurasia was born in Allahabad in a non musical family. His father was a wrestler. His mother died when he was four. Hariprasad had to learn music almost in secret, scared of the father who wanted him to become a wrestler. He did go to the Akhada and train with his father for some time, although he also started learning music in secret, and practicing in his friend's house. He has credited this wrestling training for giving him the immense stamina and lung power that are the hallmarks of his flute playing, stating that,
“ I was not any good at wrestling. I went there only to please my father. But maybe because of the strength and stamina I built up then, I'm able to play the bansuri even to this day. ”

Career

Hariprasad Chaurasia started learning vocal music from his neighbour, Pandit Rajaram at the age of 15. Later, he switched to playing the flute under the tutelage of Pandit Bholanath Prasanna of Varanasi. Much later, while working for All India Radio, he received guidance from the reclusive Annapurna Devi, (daughter of Baba Allaudin Khan).
He is considered a rare combination of innovator and traditionalist. He has expanded the expressive possibilities of the bansuri through his masterful blowing technique.
Apart from classical music, he has made a mark as a Hindi language film music director along with Pt. Shivkumar Sharma, forming a group called Shiv-Hari. He has also collaborated with various world musicians in experimental cross-cultural performances, including the fusion group Shakti.
He serves as the Artistic Director of the World Music Department at the Rotterdam Music Conservatory in the Netherlands.
He has collaborated with several western musicians, including John McLaughlin and Jan Garbarek, and has also composed music for a number of Indian films. He has performed throughout the world winning acclaim from varied audiences and fellow musicians including Yehudi Menuhin and Jean-Pierre Rampal.

Personal life

Chaurasia is married to Anuradha, a classical vocalist.

Awards

He has won a number of awards including the Sangeet Natak Academy (1984), Konark Samman (1992), Padma Bhushan (1992),Yash Bharati Sanman (1994) and Padma Vibhushan (2000). In the year 2000, he also received the Hafiz Ali Khan Award and the Dinanath Mangeshkar Award.
Panditji was honoured by the Dutch Royal family at Amsterdam,and was conferred with the title OFFICER IN THE ORDER OF ORANGE-NASSAU( “officier in de Orde van Oranje-Nassau”) and was honored by Princess Maxima herself.
In the year 2009, shortly after his birthday he was honored by the Ministry of Culture of the Republic of France. He has been appointed as KNIGHT IN THE ORDER OF ARTS AND LETTER (“Ordres des Arts et Lettres”) in appreciation for the significant contribution he has made to spread culture in France and the rest of the World.
In August of 2009, Pt. Chaurasia was awarded the National Eminence award, NADA VIDYA BHARTI by Visakha Music and Dance Academy, Vizag.
On 14 September of 2009 he was bestowed the Honorary Doctorate by the North Orissa University for his unparelleled role and contribution to the world of Indian Classical Music.

Biography

On 1 July, 2008 on the occasion of his 70th Birthday, his official biography "Woodwinds of Change" by Shri Surjit Singh was released by Mr. Amitabh Bachchan.

Discography

These are major albums released by Pandit Hariprasad Chaurasia, categorized by release dates.2


Chaurasia in 2007
1967
Call of the Valley with Shivkumar Sharma and Brij Bhushan Kabra
1978
Krishnadhwani 60
1981
Pt. Hariprasad Chaurasia - Flute
1984
Pt. Hariprasad Chaurasia - Flute (different set of ragas,same album name)
1987
Morning to Midnight Ragas - Morning Ragas
1988
Call of the Valley
1989
Venu
Live in Ahmedabad '89
1990
Immortal Series
1991
Megh Malhar
1992
Night Ragas
Live in Amsterdam '92
Morning to Midnight Ragas - Afternoon Ragas
All time Favorites
Live from Sawai Gandharva Music Festival - Video (VHS)
Raga-s DU Nord Et Du Sud
Immortal Series - Flute Fantasia
1993
Indian Classical Masters
Daylight Ragas
Flute - Hariprasad Chaurasia
1994
Thumri - The Music of Love
In A Mellow Mood
Possession
Immortal Series - Devine Drupad
Classic Greats1 - Ideas on Flute
1995
In Live Concert
Cascades of Hindustani Music
Maharishi Gandharva Veda - Sunrise Melody
Maharishi Gandharva Veda - Morning Melody
Maharishi Gandharva Veda - Midday Melody
Maharishi Gandharva Veda - Afternoon Melody
Maharishi Gandharva Veda - Evening Melody
Maharishi Gandharva Veda - Sunset Melody
Maharishi Gandharva Veda - Midnight Melody
Maharishi Gandharva Veda - Late Night Melody
Hariprasad Chaurasia - Flute
Malhar-Chandrika
Music 157 - Live in London
Music - Flute
Great Jugalbandis
Music from the world of OSHO - Above & Beyond
Prem Yog
Written on the Wind
Romantic Themes
Saptarishi - Live at Siri Fort
The Mystical Flute of Hari Prasad Chaurasia
Maestro's Choice
Basant Bahar
Chaurasia's Choice
1996
Hari Prasad Chaurasia & his Divine Flute
Flute Recital
Valley Recalls - In search of Peace, Love and Harmony
Krishna's Flute - Master of the Bansuri
Classical Encounters - A live Experience with Pt. Hari Prasad Chaurasia
Fabulous Flute
Pundit Hari Prasad Chaurasia
In Concert - Vancouver, B.C
Hariprasad Chaurasia - Flute
The Bamboo Flautist of His Generation
Pt. Hariprasad Chaurasia - Nada in Jerusalem
1997
Classical Encounters - A Live Experience with Pt. Hariprasad Chaurasia
Great Jugalbandis
The Golden Collection (Classical)
Immortal Essence
Golden Raga Collection
1998
Samarpan-VCD Special 60th Birthday Edition
The Charms Companion
Morning to Midnight - Morning to Dusk
Music for Reiki
1999
Jugalbandi
Rasdhaara
Live Inside Khajuraho
Live in New Delhi - '89
Golden Raga Collection
Musical Titans of India - Jugalbandhi Video (VHS)
Pure Joy - Positive Energy Music
2000
Music without Boundaries
Maaya - Far East
Hriday - Cuba
Caravan Spain
Live Concert at Savai Gandharva Music Festival
Gurukul - The Guru shishya Parampara
2001
Adi-Ananth
Love Divine - Parables of Passion
Power & Grace - Live at the Saptak Festival 2001
Discovery of Indian Classical Music
Flute Duet
2003
Flute Deity Hariprasad Chaurasia
The Greatest Hits of Hariprasad Chaurasia
Salvation - Instrumental Bhajans
[edit]Albums (release year unknown)
La Flute De Pundit Hariprasad Chaurasia
Hariprasad Chaurasia - The Most Celebrated Flautist of India
Sound of Silence
Charm of the Bamboo flute
Kalpana - Imagination
A Kaleidoscope of various ragas
Krishna Utsav
Kali - Classical Instrumental
Pt. Hariprasad Chaurasia - the Living Legend of Flute
Moon Light Moods - Flute Recital
Pt. Hariprasad Chaurasia - The Living Legend of Flute
Indian Music
HariDhwani
Buston Abraham - Fanar
Fusion India - Passage of India Series
Being Still
Dhammapada - Sacred teaching of Buddha
The Charms Companion
Eternity
Nothing but wind (1988) - Composed by Ilaiyaraaja
[edit]Music for Bollywood films

Along with Pandit ShivKumar Sharma he composed music for
Chandni
Darr
Lamhe
Silsila
Faasle
Vijay
Sahibaan