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Tuesday, February 12, 2013

Trilok Gurtu - Indian percussionist


Trilok Gurtu
Trilok Gurtu, born in Mumbai, India on 30 October 1951, is an Indian percussionist and composer, whose work has blended the music of his homeland with jazz fusion, world music and other genres. He has released his own albums and has collaborated with many artists, including Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Bill Laswell, Maria João & Mário Laginha, and Robert Miles.

Early life

Gurtu was born to Hindu Brahmin parents in Mumbai, and attended Don Bosco High School (Matunga) in Mumbai. His mother, singer Shobha Gurtu, encouraged him to learn playing tabla, and he studied playing the instrument under Shah Abdul Karim.

Career

Gurtu began playing western drum kit in the 1970s, and developed interest in jazz. In a 1995 television special on Jimi Hendrix, Gurtu mentioned having initially learned Western music without awareness of overdubbing, which, he said, forced him to learn multiple parts which most musicians would have never attempted. In the 1970s, he played with Charlie Mariano, John Tchicai, Terje Rypdal, and Don Cherry. One of Gurtu's earliest recordings was around 1977 in the record Apo-Calypso in an album of the German ethnic fusion band, Embryo. His mother also sang in that record, and later joined him in his first solo CD, Usfret. In the 1980s, Gurtu played with Swiss drummer Charly Antolini and with John McLaughlin in McLaughlin's trio, accompanied variously by bassists Jonas Hellborg, Kai Eckhardt, and Dominique DiPiazza. The line-up with Hellborg performed at least one concert opening for Miles Davis in Berkeley, California in 1988. Collaboration between Gurtu and McLaughlin included vocal improvisations using the Indian tala talk method of oral drumming notations for teaching drum patterns. Sometimes, Eckhardt would join in with hip-hop beat-box vocals for a three-way vocal percussion jam, while Gurtu and McLaughlin would throw in a few amusing words such as some Japanese brand names mixed with some Indian words. Some of the unusual aspects of Gurtu's drum playing include playing, without a drum stool, in a half-kneeling position on the floor, and use of an unconventional kick drum that resembles a large drum head with a kick-pedal, and a mix of tablas and western drums. Gurtu's unique percussion signature involves dipping cymbals and strings of shells into a bucket of water to create a shimmering effect. Gurtu joined Oregon after the death of drummer Collin Walcott. He played in three records produced by this band: Ecotopia (1987), 45th Parallel (1989), and Always, Never and Forever (1991). In the early 1990s Gurtu resumed his career as a solo artist and a bandleader. Various noted musicians have backed him in a number of his CD releases.[2] In 1999, Zakir Hussain and Bill Laswell founded a musical group, Tabla Beat Science, which played a mixture of Hindustani music, Asian underground, ambient, Drum and Bass, and Electronica. Gurtu joined this group along with Karsh Kale and Talvin Singh. The group released three albums before going dormant in late 2003.[3] In 2004, Gurtu created an album, Miles Gurtu, with Robert Miles. His collaboration with the Arkè String Quartet began in 2007 with the release of the album Arkeology.[1] In 2010 Trilok Gurtu played into the album Piano Car, opera of minimalist composer Stefano Ianne with Ricky Portera, Nick Beggs (Kajagoogoo), Mario Marzi, Terl Bryant (John Paul Jones/Led Zeppelin), John De Leo.

Awards

Gurtu has garnered a number of prestigious awards and nominations, including: Best Overall Percussionist winner, DRUM! Magazine, 1999 Best Overall Percussionist winner, Carlton Television Multicultural Music Awards, 2001 Best Percussionist winner, Down Beat's Critics Poll for 1994, 1995, 1996, 1999,[4] 2000, 2001, and 2002[5] Best Asia/Pacific Artist nominee, BBC Radio 3 World for 2002, 2003, and 2004.[1][3]

Discography

Solo and collaborative albums
1974: La Terra (The Earth) LP with Aktuala (Bla Bla, 1974)
1976: Tappeto Volante (Flying Carpet) with Aktuala LP (Bla Bla, 1976)
1977: Apo Calypso - with Embryo
1979: Friends - with Toto Blanke Electric Circus
1980: Family - with Toto Blanke Electric Circus
1982: Personal Note, Mark Nauseef with Joachim Kühn, Jan Akkerman, Detlev Beier
1983: Finale - with Charly Antolini
1985: Song for Everyone - with L. Shankar
1987: Usfret
1987: Ecotopia - with Oregon
1989: 45th Parallel - with Oregon
1990: Live At The Royal Festival Hall - with the John McLaughlin Trio
1990: Living Magic
1991: Always, Never and Forever - with Oregon
1992: Que Alegria - with the John McLaughlin Trio
1993: Crazy Saints
1995: Believe
1995: Bad Habits Die Hard
1997: The Glimpse
1998: Kathak
1998: Cor - with Maria João & Mário Laginha
2000: African Fantasy
2001: The Beat of Love
2002: Remembrance
2004: Miles Gurtu - with Robert Miles
2004: Broken Rhythms
2006: Farakala
2007: Arkeology
2009: Massical
2010: Piano Car - with Stefano Ianne
2011: 21 Spices - with Simon Phillips + NDR Big Band (Conducted by Jorg Achim Keller)

Tuesday, December 11, 2012

Pt Ravi Shankar: A global ambassador of Indian music


Labelled the 'godfather' of world music, Ravi Shankar undertook an extraordinary journey from the banks of Ganges to the heart of the west mesmerising them with Indian ragas and partnering with musical greats like Beatles' George Harrison and Yehudi Menuhin.

Darling of the hippie movement in the 1960s, Shankar trained for seven years under Ustad Allauddin Khan and was known for his characteristic sitar sound with powerful bass notes.

Shankar, 92, whose health had been fragile for the past several years, died today at the Scripps Memorial Hospital in La Jolla, California after undergoing heart-valve replacement surgery on Thursday.

The Bharat Ratna awardee started as a dancer with the group of his brother Uday Shankar but gave it up in 1938 to learn sitar under Allauddin Khan.

During the tour of Uday's dance group in Europe and America in the early to mid-1930s, Shankar discovered Western classical music, jazz, and cinema, and became acquainted with Western customs.

The music doyen composed his first raga in 1945 and embarked on a prolific recording career.

In the 1950s and 1960s, he became the unofficial international ambassador for Indian music, enthralling audiences in the USSR, Japan, North America.

However, it was his association with Harisson that got him international stardom. In the 1970s, they collaborated on two albums and toured the USA together.

A Bengali Brahmin, Shankar was born Robindra Shankar on April 7, 1920 in Varanasi, the youngest of four brothers, and spent his first 10 years in relative poverty, brought up by his mother. He was almost eight before he met his father, a globe-trotting lawyer, philosopher, writer and former minister to the Maharajah of Jhalawar.

As a performer, composer and teacher, Shankar was an Indian classical artist of the highest rank, and he spearheaded the worldwide spread of Indian music and culture, said writer and editor Oliver Craske, who provided additional narrative for Shankar's autobiography 'Raga Mala'.

Through his influence on Harrison, and appearances at the Monterey and Woodstock festivals and the Concert for Bangladesh, he became a household name in the West, the first Indian musician to do so.

Shankar also composed for ballets and films in India, Canada, Europe and the United States. He created music for the 'Apu Trilogy' by Satyajit Ray.

Credited with incorporating many aspects of Carnatic music in the north Indian classical system, Shankar was music director of All India Radio, New Delhi, from 1949 to 1956.

A three-time Grammy award winner, Shankar last performed in California on November 4 along with his daughter Anoushka Shankar.

Shankar has also been nominated for the 2013 Grammys for his album "The Living Room Sessions Part-1" and was pitted against Anoushka in the same category.

He was awarded the three top Indian national civil honours - Padma Bhushan in 1967, Padma Vibhushan in 1981, and Bharat Ratna in 1999.

Shankar befriended Richard Bock, founder of World Pacific Records, on his first American tour and recorded most of his albums in the 1950s and 1960s for Bock's label. The Byrds recorded at the same studio and heard Shankar's music, which led them to incorporate some of its elements in theirs, introducing the genre to Harrison.

The sitar legend authored violin-sitar compositions for Yehudi Menuhin and himself, music for flute virtuoso Jean Pierre Rampal, music for Hosan Yamamoto, master of the Shakuhachi and Musumi Miyashita - Koto virtuoso, and has collaborated with Phillip Glass (Passages).

A Magsaysay award winner, Shankar was nominated as a member of the Rajya Sabha in 1986.

Believing in the greatness of Indian classical music and blessed with charisma and intelligence, he pursued a dream of taking Indian music out to the Western world.

Monday, December 10, 2012

Sawai Gandharva Bhimsen Mahotsav to be held for six days


The 60th edition of the Sawai Gandharva Bhimsen Mahotsav, a festival of classical music organized every year by the Arya Sangeet Prasarak Mandal, will be held for six days this year to mark the diamond jubilee of the prestigious music fest. The festival will be held between December 11 and 16 at the New English School, Ramanbaug grounds.

Kirana Gharana maestro, late Pt Bhimsen Joshi, had started the festival in the memory of his guru Sawai Gandharva and was initially known as the 'Sawai Gandharva Sangeet Mahotsav'. The festival was renamed the 'Sawai Gandharva Bhimsen Mahotsav' last year after the demise of Pt Joshi.


"The Arya Sangeet Prasarak Mandal has decided to hold the Sawai Gandharva Bhimsen Mahotsav for six days this year in order to commemorate the 60th year of the festival. Last year the festival was held for five days, while in 2010 it went on for four days," said Shriniwas Joshi, executive president, Arya Sangeet Prasarak Mandal.


Schedule:


11-Dec-2012

Artist Name                             Performing
Shri. Ashwini & Shri. Sanjiv Shankar     Shahanai
Smt. Meena Faterpekar                     Vocal
Smt. Padma Deshpande                     Vocal
Shri. Rahul Sharma                     Santoor
Pt. Jasraj                             Vocal


12-Dec-2012

Artist Name                             Performing
Shri. Rattan Mohan Sharma             Vocal
Ayaan Ali Khan & Amaan Ali Khan             Sarod
Smt. Shobana Chandrakumar             Dance (Bharatnatyum)
Pt. Rajan & Pt. Sajan Mishra & Ritesh & Rajnish Mishra Vocal


13-Dec-2012

Artist Name                             Performing
Shri. Sanjeev Chimmalgi                     Vocal
Smt. Kalapini Komkali                     Vocal
Pt. Ulhas Kashalkar & Shri. Sameehan Kashalkar Vocal
Farooque Latif Khan & Sarwar Hussain      Pakhawaj & Sarangi


14-Dec-2012

Artist Name                              Performing
Smt. Pallavi Pote                      Vocal
Pt. Hariprasad Chaurasia              Basuri
Shri. Anand Bhate                      Vocal
Smt. Malini Rajurkar                      Vocal


15-Dec-2012

Artist Name                              Performing
Shri. Samrat Pandit                      Vocal
Smt. Arati Ankalikar                      Vocal
Pt. Swapan Chaudhuri                      Tabla
Shri. Shrinivas Joshi                      Vocal
Ut. Amjad Ali Khan                      Sarood


16-Dec-2012

Artist Name                              Performing
Smt. Kalpana Zokarkar                      Vocal
Shri. Vijay Koparkar                      Vocal
Pt. Shivkumar Sharma                      Santoor
Apoorva Gokhale & Pallavi Joshi              Vocal
Shri. Shounak Abhisheki                      Vocal
Shri. Upendra Bhat                      Vocal
Shri. Atulkumar Upadhye & Ut. Shahid Parvez  Voilin & Satar
Shri. Parmeshwar Hegade                      Vocal
Dr. Prabha Atre                              Vocal

Monday, September 10, 2012

Pandit Manohar Vasudev Chimote


Pandit Manohar Vasudev Chimote

Pandit Manohar Vasudev Chimote veteran harmonium and Samvadini player who contributed towards Hindustani classical music.

Chimote was awarded with Maharashtra government award for excellence in the field of music.

Born in a rich family at Nagpur on March 27,1928, he learnt harmonium from Pandit Bhishmadev Vediji and migrated to Mumbai to contribute towards Indian classical music.

He was awarded by Maharashtra government for excellence in the field of music in the year 1998. He was also awarded by ITC for research in the field of music and Uttam Sangeet Shikshak Puraskar, 1995 by Gandharva Mahavidyalaya, Pune.

Pandit Manohar Chimote was famous for jugal bandi on his researched instrument Samvadhini with various artists.

He had accompanied popular Indian tabla player Ustad Allah Rakha Khan, famous flute Pandit Ronu Majumdar , Hindustani violinist Shridhar Parsekar and harmonium player Shree Govindrao Patwardhan in a number of concerts all over India.

"Pandit Chimote made changes in the keyboard of the harmonium so that pressure control on the keyboard along with the air pressure in the bellows would display subtle expressions to the music being played on Harmonium. Along with Pandit Bhishmadev Vediji and Acharya Brihaspatiji, he worked on the tuning of this instrument and introduced the concept of 'gandhar-based tuning' for the first time in Harmonium.

This tuning system is the original tuning system used in traditional Indian classical music. With this change Harmonium became a complete instrument for solo performances with equal capability as any other instrument.

"He believed 'Harmony' means 'samvad' in sanskrit an thus, an instrument which is capable of creating harmony must be called 'samvadini'. Since then this instrument is called samvadini" said Rajendra Vaisampayan, a samvadini (Harmonium) soloist and disciple of Pt Manohar Chimote.

Tuesday, August 7, 2012


Raasrang world flute festival

Raasrang World Flute Festival to delight music lovers in Delhi from August 9-11.
Music lovers in the Capital are in for a delight. The third Raasrang World Flute Festival will be bringing in three days of magic, featuring performers like Karthik Vashist, Rajat Prasanna, Naveen Kumaralong, Nawang Khechog (a Grammy nominee and a monk), Burcu Karadag from Turkey, Nathalie Ramirez Tovar from Mexico, Shemyakina Asya from Russia, Pravin Godkhindi, Tagaram Bheel, Kusumakar Pande, Pintu Khan, Steev Kindwald, and an ensemble led by Dipak Sharma which will showcase wind instruments from North-Eastern India. There will be shorter versions of the festival in Kolkata and Thiruvananthapuram.

Program

9th Aug : Celebrating Peace

10:30 am: Mangla Dhuni

Venue: Baha’i House of Worship, Lotus Temple, Kalkaji, New Delhi.
Temple Music by Nandan from Tanjore on Nadashwaram
‘Sublime Serenity’ - Bansuri vadan by Flutist Rajat Prasanna
‘Meditative Melodies’ - Nawang Khechog, USA.


11:45 am: India on Flute

Exhibition of artistic rendition of Indian culture on Flutes & other mediums
depicting the theme of the festival- LOVE PEACE WATER curated by Dhoomimal Art Centre.


12:00 Roots
Exhibition and demonstration of languishing wind instruments of India such as Peepli,Sutli,Peepah... by rural folk artists.


2:30-4:00 pm: Mind Sound Resonance - Inspired by Brahmshri Patri
A special session using the powerful vibrations of A-U-M-kara chants and Flute notes to deeply relax and rejuvenate the mind. Shatrughun Jiwnani, Bahai House of Worship: Haresh Bhutta- Svyasa University, Bangalore. Shemyakina Asya on Dejereedoo, Russia Abhya Phagre, Indian classical flutist, Bhopal

4:00-5:30 pm: Bansiyog
Venue: Madhuban, B - 71, Greater Kailash-I, New Delhi, Ph:49854985 Dr Nagendra–Former NASA Scientists & Vice Chancellor–SVYASA University Nawang Khechog–Grammy Nominee, USA

6:30 pm: Mainstage: Melodies of Peace
Venue: Baha’i House of Worship, Lotus Temple, Kalkaji, New Delhi. Nawang Khechog, Grammy Nominee, USA Roots Team North East of India led by Flutist & Composer Dipak Sarma.

10th Aug : Celebrating Water

10:30 am : Champaner
Venue: Baha’i House of Worship, Lotus Temple, Kalkaji, New Delhi. Exhibition on Water “Champaner” Photographer - Rahul Gajjar. Drop by Drop Jal Tarang by Kansi Ram Kotwal Manish Sharma with Tabla Player Ustad Fateh Mohammad Khan. Bansi Choir by Children of Sandipani Muni School, Vrindavan & Karthik Vashist on Algoza Steev Kindwald on Jaw Harp, Germany.
2:30-4:00 pm: Mind Sound Resonance - Inspired by Brahmshri Patri
A special session using the powerful vibrations of A-U-M-kara chants and Flute notes to deeply relax and rejuvenate the mind. Dr Manjunath - Svyasa University & Abhay Phagre, Bhopal. Pravin Godhkindi, Bangalore, Karnataka
4:00-5:30 pm: Bansiyog
Venue: Madhuban, B - 71, Greater Kailash-I, New Delhi, Ph:49854985 A unique Workshop combining the principles of Yoga and Flute. Dr Nagendra–VC–SVYASA University Naveen Kumar, Flutist – A R Rehman Ensemble
6:30 pm: Mainstage: Blow
Venue: Baha’i House of Worship, Lotus Temple, Kalkaji, New Delhi. Special ensemble of 11 popular young musicians from Mexico, Russia and India on Wood and Metal. Music composed by Suhail Yusuf Khan. Boondein Ace Flutist, Praveen Godhkindi springs a surprise and establishs a world record. Independence Celebration

11th Aug : Celebrating Love

10:30 am Wind of Indian Culture - Sharon Lowe
Venue: Baha’i House of Worship, Lotus Temple, Kalkaji, New Delhi. Invocation: Lama Dhundup & Tshering on Radong - Karamapa Monastery Pravin Godhkindi – Contrabass: Steev Kindwald – Jew Harp: Tagaram Bheel – Algoza: Pt.Kusum Pande - Bamboo Flute Pinto Khan - Morchang Exhibition cum demonstration of unique wind instruments of India such as Pungi, Algoza, Bheen, Peepah, Sutli, Kaaliya among others. ‘Raasleela’- Impromptu presentation led with audience participation.
2:30-4:00 pm Mind Sound Resonance - Inspired by Brahmshri Patri
A special session using the powerful omkara, and notes of the Flute to deeply relax and rejuvenate the mind. Faculty : Dr Manjunath – Svyasa University Pt. Kusumakar ji,Flute, Nathdwara Steev Kindwald, Germany
4:00-5:30 pm: Bansiyog
Venue: Madhuban, B - 71, Greater Kailash-I, New Delhi, Ph:49854985 A unique Workshop combining the principles of Yoga and Flute. Dr Nagendra–Vice Chancellor–SVYASA University Pravin Godhkindi, Karnataka
6:30 pm: Mainstage: Desert Love
Venue:Baha’i House of Worship, Lotus Temple, Kalkaji, New Delhi. Rajasthan Roots - 6 member team led by Pt. Kusumakar on rare Indian Wind Instruments. Turkey Swirl Ms. Burcu Karadig celebrated Ney artist from romantic Istanbul will make you catch your breath with poignant strains of the Ney.

Wednesday, March 7, 2012

Hemang Mehta - Mewati Gharana

Hemang Mehta


Profile



Born on 16th October, Hemang Mehta comes from a family of Gujarati businessmen, steeped in culture, religion and music. Soothing strands of music fell on his ears from infancy, ever since he can remember. Inspiration came from the priceless music played around him of Padmabhushan Pandit Jasrajji. He received intense training from his Guru Sri Chandrashekhar Swamy under the strict guidance of Pandit Jasrajji as a result of day to day association with the maestro. Inspiration turned into ambition under the encouragement given by his parents. This ambition to reach the pinnacles of our rich musical heritage in turn, sparked off a burning desire to get high class training and untiring “riyaz” right from the tender age of nine .

Hemang’s family’s deep love for Indian music has allowed him to devote himself passionately in the pursuit of music as a career. Hemang’s music is an extension of his personality and philosophy viz. to reach out to God through singing, as he truly believes in ‘Naad Bramha’. This is why Hemang practices a very high degree of professional ethics.

A product of the time tested ‘Guru- Shishya Parampara’ but imaginative and creative enough to exploit the freedom within discipline, innovation within tradition, which is what our music is really about, this sincere young man strikes a most appealing balance between intellectual sensitivity and aesthetic creativity. Thus, he is most highly emotive and communicative.

Hemang excels in the high watermarks of the ‘Mewati Gharana’ such as ‘meend, layakari, kan-gayaki’ and proper bandish presentation. He has several awards to his credit such as the ‘Surmani’ award. He has performed widely in India as well as abroad, at prestigious festivals and has received a good press all over.


Training



It was Padmavibhushan Pandit Jasrajji's priceless music played around me that allowed me to eventually visualize devoting my life to music.I have been receiving training under Shri Chandrashekhar Swamy, a very senior exponent of the Mewati Gharana. Shri Chandrashekhar Swamy trained with Pandit Jasrajji from the 1960s to the 1980s. Chandrashekharji has performed at several prestigious festivals across India like the Tansen Sangeet Samaroh, Sawai Gandharva Sammelan.

I have been very fortunate to be training under him since the tender age of 8. Chandrashekharji stayed with us for two years when I was in my teens, during which I received intensive taalim. We would wake up everyday to start practice at 5 AM and our practice sessions would continue throughout the entire day, often until late at night. On certain mornings when I failed to get up at 5 AM, he was loving enough to wake me up to train. He was very patient with me during our lessons and would teach each intricate phrase several times until I was able to reproduce it. Through Chandrashekharji, I was able to imbibe the salient features of the Mewati Gharana, including Pandit Jasrajji's diverse repertoire of ragas. Chandrashekharji is an extremely affectionate Guru who has continued to mentor me during every stage of my musical journey.

My family has been extremely fortunate to be associated with Pujya Guruji Pt.Jasraj Ji for more than 30 years.It was Pujya Guruji who placed me in the very caring hands of Pt.Chandrashekhar Swami , to initiate me in this celestial art called Hindustani Sangeet.

Through the years while I was training with Chandrashekharji, I also received continued guidance from the maestro, Pandit Jasrajji. I have had many opportunities to accompany him in his performances both within India and abroad. He included me in all his training camps which would sometimes last for up to a month.

Once when I was 18, I was practicing at home in the late morning. Pandit Jasrajji visited our house at that time and advised me to practice music at 5 AM in the morning. Ever since, I made it a habit to wake up early at 5 AM to start my morning riaz.


Performance (Concert)




Harvallabh Sangeet Samaroh, Jullandur 2000, 2009
Sawai Gandharva Sangeet Mahotsav, Kundgol 2002
Sangeet Kala Manch, Pune 2003
Deval Club Kolhapur 2004
Ganvardhan Pune 2005
Dadar Matunga Cultural centre Mumbai 2007
Pt.Jitendra Abhisheki Mahotsav Panjim 2007
Mewati Gharana Sammelan, Bhopal
Baithak, New Delhi
Swar Vilas, Vadodra
Nrityagram's Vasanthabba, Bangalore
Swar Sangam, Surat
Motiram Sangeet Natak Academy, hyderabad
Jhankar Music circle, Kolkotta
Swaranjali, Gulbarga
Pune Festival Sept.2008
Concerts Abroad

Milap Festival England
Bharatiya Vidya Bhavan England ( As a Music Teacher At Summer School 2000-01)
Lotus Festival, New York, Detroit, Cleveland, Toronto etc.
Series Of Concerts In USA and Canada
Upcoming Tour Canada-USA July-Sept.2010


Vandana Somaia Performing Raag Malkosh With Hemang Mehta (November 12th 2009)


Website : http://www.hemangmehta.org/

Contact
Name/Address

Hemang Mehta
703 Oriole
Nyati Enclave
Mohamad Wadi,Hadapsar, Pune - 411028
Maharashtra, India


E-mail
mehtahemang@hotmail.com
hemangmehtavocal@gmail.com


Phone/Fax
Tel: +91 20 26802364
Mobile:- +91 9892376806

Monday, March 5, 2012

UDAT ABEER GULAL - Holi Special classical music program

Udatha abil gulal


Udatha Abil Gulal - Holi Special classical music program

Artist : Dhanashree Pandit, hemang mehta, Dr Stanley Scott, Narayan Mani,snehal Muzoomdar